Rosa Ponselle (1897-1981) was born in Meriden, Connecticut. The back of Marston’s jewel box has a blurb identifying Rosa Ponselle as “arguably this century’s greatest soprano.” Okay, no argument here, although these discs are made up of material from 1936-37, when the singer was at the end of her operatic career (she left the stage in 1937, still only 40 years old but fearful of high notes and with a voice settling into a mezzo tessitura). They say Crawford sings first and Ponselle then tops her. Rosa Raisa (30 May 1893 – 28 September 1963) was a Polish-born and Italian-trained Russian-Jewish dramatic operatic soprano who became a naturalized American. However, this leading lady began her career on the vaudeville stage and in theatre productions. During her 19 seasons at the Met, Rosa Ponselle (such a lovely name) sang a total of 22 dramatic and dramatic-coloratura roles. This definitive biography, published on the centenary of her birth, provides a compelling, in-depth, and balanced portrait of the brilliant soprano. At a dinner given in honor of Rosa Ponselle, the hostess was very careful to go over all her instructions for serving with the head Filipino houseboy. She was the first American-born and American-trained singer to star at the Metropolitan Opera (although she vehemently denied ever receiving formal vocal training at any point in her career). It is Ponselle who sings first! The New Yorker, September 26, 1931 P. 9. The Linked Data Service provides access to commonly found standards and vocabularies promulgated by the Library of Congress. CRITIC REVIEWS: "Carmen was the last role taken on by Rosa Ponselle … l to r: rosa ponselle, who sang for the group; mrs. thomas e. dewey; mrs. 3 . Latest Release. In the 1920’s Ponselle got her big break at the Metropolitan Opera, where she consistently played leading roles for twenty years. Rosa Ponselle made her grand debut on the Metropolitan stage on November 15, 1918 as Leonora in Verdi’s La Forza del Destino, starring opposite Enrico Caruso himself. Recorded by Rosa Ponselle in 1927, this is probably the best recording I have heard by her as well as perhaps the overall finest "Ernani, involami". If you’re coming to Rosa Ponselle’s art for the first time, however, start with her early Victor operatic 78s (Romophone). If you have a Facebook-account and want to share this page to your friends, click the link below. She was born on 22nd Jan 1897 in Meriden, Connecticut, USA and died on 25th May 1981 at her estate, Villa Pace, near Baltimore, Maryland, USA. CARMEN, Live Performance, 9 Jan., 1937, w.Gennaro Papi Cond. Rosa Ponselle If this is your first visit, be sure to check out the FAQ by clicking on the link on this line. The sad saga of Rosa Ponselle / The Washington Post Matthew Testa, Friedheim Library archivist, says that while the library already had some Ponselle material, the collection—donated in 2015 by the Lester Dequaine/Frank Chiarenza Foundation—added a wide variety … She possessed a voice of remarkable power and was the creator of the title role of Puccini's last opera, Turandot, at La Scala, Milan. Rosa Ponselle (1897--1981) was one of the greatest American opera singers of the twentieth century. I eagerly await Volume Two, which will include the last two Ponselle Chesterfield shows and the … Professional branding help from Rightbrand for your company today! It is a captivating Cinderella story of the spirited diva's rise from modest beginnings in Meriden, Connecticut, to star of the Metropolitan Opera. A beautiful, well-kept garden is the result of toil and constant care. A singer is great only after she has developed her gift to the highest degree possible.” ( ), was Leonora in Verdi's ''La Forza del Destino,'' a dramatic soprano part usually reserved for experienced singers whose voices have grown gradually over the years to requisite richness and size. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features. Stracciari, Ponselle Summary Photograph shows opera singer Rosa Ponselle (1897-1981) with baritone opera singer Riccardo Stracciari (1875-1955) and Elsie … the affair is featured by a skit which pokes fun at the doings of women in the national political spotlight here, and this time lays particular emphasis upon the future first lady. Joan's singing was outstanding in this recording. Transfers by Yves St Laurent. (Canada) 2-St Laurent Studio YSL T-649. WHEN THE curtain rose in the old Metropolitan Opera House on the night of Nov. 15, 1918, Rosa Ponselle stood before an opera audience for the first time in her life. After a teenage career as a vaudeville singer, Rosa Ponselle (below), at the age of 20 and with no previous operatic experience, made her debut at the New York Met in 1918 in the leading role of Leonora in Verdi’s La forza del destino, partnering Enrico Caruso. Rosa Ponselle (1887-1981) is one of the Metropolitan Opera’s most well known sopranos. La Gioconda: Suicidio Rosa Ponselle. Rosa Ponselle, indisputably one of the greatest operatic talents this country has ever produced, died of a heart attack yesterday in her Baltimore mansion, Villa Pace, at the age of 84. of her life). Datasets available include LCSH, BIBFRAME, LC Name Authorities, LC Classification, MARC codes, PREMIS vocabularies, ISO language codes, and more. You will have to register before you can post but you can *read* the forums even before you register. Her first role, at age 21 (! This includes data values and the controlled vocabularies that house them. As a teenager she played piano accompaniment for silent motion pictures, and at age 16 began singing in vaudeville with her sister Carmela. La Forza Del Destino: "La Vergine Degli Angeli" Rosa Ponselle. OP3235. Amazing to see authors of a sympathetic Crawford biography making fun of her singing with Ponselle. 2 . Rosa Ponselle (1897-1981) (1915-1937) VT-Her Mother(sister Carmela sang at Met 1925-35), W.Thorner, R.Romani). 4 . Soprano Rosa Ponselle in 1918 by Herman Mishkin of 42nd & Fifth Avenue, New York City. Although Carmela Ponselle eventually had a reasonably successful career as a mezzo-soprano on recordings, on radio and at the Metropolitan (where she made her debut as Amneris in Aida in December 1925), it was Rosa who became an operatic superstar. Top Tracks. Find a right brand! Debut 1918-Mat-Leonora, Forza(1st operatic perf. Encyclopedia of Great Singing Michael Trimble . The two performed under their real name, the Ponzillo Sisters. Share. Rosa Ponselle Ponselle, Rosa: American Recordings (1939, 1954) Aesthetics/definition: Aesthetics (also spelled æsthetics or esthetics) is a branch of philosophy dealing with the nature of beauty, art, and taste, and with the creation and appreciation of beauty. It is more scientifically defined as the study of sensory or sensori-emotional values, sometimes called judgments of sentiment and taste. You can easily share this page directly on Facebook, Twitter and via e-mail below. Or choose from 5000 ready curated brands complete with a .com and logo. Don´t miss her amazing trill (at 3:19). Rosa Ponselle (1891-1981) was considered legendary by Maria Callas and also the greatest soprano within the last 100 years. But specialized Ponselle acolytes should check out this release. Rosa Ponselle: Ernani, involami (Ernani): Recorded and posted by merrihew on YouTube 1 . Tosca: Vissi D'arte Rosa Ponselle. Rosa Ponselle Classical. Met Opera Ensemble; Rosa Ponselle, Sydney Rayner, Natalie Bodanya, Julius Huehn, Thelma Votipka, Helen Olheim, Giordano Paltrinieri, George Cehanovsky, Louis D'Angelo & Wilfred Engelman. Rosa Ponselle: from soprano to spinto tenor Welcome to Talk Classical - A community covering every aspect of classical music! Quotes “Great voices are Nature’s gift, but so are flowers. Gift Of Love (Live On The Ed Sullivan Show, February 16, 1958) - Single . Rosa Ponselle made her grand debut on the Metropolitan stage on November 15, 1918 as Leonora in Verdi’s La Forza del Destino, starring opposite Enrico Caruso himself. If you like Rosa Ponselle, please tell your friends! They both have an occasionally off-key note but recordings were not doctored in those days. She was the first American-born and American-trained singer to star at the Metropolitan Opera (although she vehemently denied ever receiving formal vocal training at any point in her career). 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